REVIEW: Frank Miller Presents’ Ronin: Volume 2 #1



Frank Miller, Philip Tan and Daniel Henriques titillate the senses in Ronin: Book Two #1 – the direct sequel to Miller’s seminal 1983 series.

  • Ronin Book Two #1
    Ronin: Volume 2 #1

    Frank Miller

    Philippe Tan, Daniel Henriques

    John Worker

    Cover artist:
    Philippe Tan, Daniel Henriques

    Frank Miller Presents


    Release date:

    N / A

Acclaimed writer Frank Miller has teamed up with former DC publisher Dan DiDio to launch a new comic book publishing company, Frank Miller Presents. One of its earliest versions is Ronin: Volume 2 #1, which is written and laid out by Miller, drawn by Philip Tan and Daniel Henriques, and lettered by John Workman. The issue takes readers back to Ronin universe, which Miller first created in 1983.

The first installment of this six-episode miniseries is a direct sequel to Ronin. The story centers on Casey and his son. The two travel through a dystopian version of America. Casey recalls events from the past and their impact on his current situation. Naturally, the two encounter problems, which they face head-on.

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Whereas Ronin: Volume 2 #1 catches up with the reader on the events of Ronin, this is the briefest of the previews. New readers will definitely benefit from the original before diving into this series. Luckily for those who love and appreciate the quirky samurai cyberpunk tone of Ronin, Miller picks up where he left off, as this story flows with similar narrative beats and visceral poetry. He never shied away from applying captions or dense prosaic dialogue, and this issue is no exception, setting it apart from many contemporary comics.

While Miller is known for his bolder and tougher approach to storytelling, most people don’t give him enough credit for his drollery. There are one or two really funny moments in Ronin: Volume 2 #1 that help break up the tension – even though they contrast with the seriousness of the work. It helps to break the ice and make sure the reader understands that this is also meant to be fun and not take everything too seriously.

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The works of Tan and Henriques take a stunning new approach to Ronin world. Miller’s influence on layouts is clear, but Tan and Henriques’ art adds a whole new dimension. The artists recently worked together on The Last Shadowhawk #1, and they bring the same energy and boldness to Ronin: Volume 2 #1. They look into every detail of every panel. Without a shadow of a doubt, their exceptional illustrations lend themselves well to the panoramic black and white drawing of this comic.

Given the history and critically acclaimed success of Ronin, it would have been too easy for Miller to buy the follow-up from DC or other publishers. What’s clear here is that he made the best decision possible to release it through Frank Miller Presents. Miller’s work takes full advantage of his unbridled freedom to explore and produce radical ideas that may not be suitable for traditional editors. Ronin: Volume 2 #1 takes the reader back to a different time and releases expectations of what comics should be like. Simply put, it’s unlike anything else right now.

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