The cover of the book “Our Share of Night” by Mariana Enriquez


The 20th century began with a sense of optimism and possibility, from technological advances to artistic breakthroughs to retreating empires, but ended with a grim record of two world wars, bloody genocides and inequality. growing. A rising global literary star, Argentine writer Mariana Enriquez has responded to the horrors of the recent past with a singular twist on horror. Next February, Hogarth, an imprint of Penguin Random House, is releasing Our part of the nighthis moving and speculative epic, brilliantly translated by Megan McDowell and blending Namwali Serpell’s sweep and innovation The old drift with the dystopian terror of Cormac McCarthy The road and the thrills and chills of Stephen King. Exclusively, Oprah Daily unveils the quirky and graphically appealing cover.

The composition juxtaposes bright yellow letters—the title and author’s name, plus text by Silvia Moreno-Garcia, best-selling author of mexican gothic-with an outstretched, satanic crimson hand, long sharp flaming fingernails. “This novel took two years to write, but probably my whole life to conceive,” says Enriquez. “It’s about my country’s history, family, heritage and connections, parenthood and friendship. It has magic. It has my obsessions. It’s weird deep down. Although it contains a lot of horror and supernatural elements, it is also deeply personal and strangely realistic.

Demons, ghosts, zombies, wild wolves: Enriquez’s work abounds with genre tropes and erotic encounters of all kinds. Sex and fear are often just two sides of the same coin. Already renowned in the United States for two daring surrealist collections—Things We Lost in the Fire and The dangers of smoking in bed what was Last year’s Kirkus Prize finalist and shortlisted for the International Booker Prize, Enriquez cements her reputation as an emerging literary star here, retracing the arcs of a father and young son on the run. Juan is tall, handsome and secretive, while the curious Gaspar mourns the loss of his mother in a bus accident in Buenos Aires. Endangered by both visible and invisible forces, they flee the fascist death squads of Buenos Aires for jungle camouflage, gifted with a kind of clairvoyance that allows them to peer into the fate of the missing, the massacred, the soul of a nation skewered by its government.

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Our share of the night: a novel

Our share of the night: a novel

As Donna Cheng, Associate Art Director of Random House, observes: “We wanted a bold and haunting central image that was both seductive and evocative of the dark themes of the novel. The hand is immediately captivating, and the flames dissolving into the abyss evoke a pivotal moment in the book. It all came with a gothic font that complements the sharp claws, set against a fading twilight blue sky background.

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